White Crucifixion Chagall Expo Poster
From $30.00
Bring poignant symbolism to your walls with this modern art print of Marc Chagall’s 1938 White Crucifixion, presented as a faithful Art Institute of Chicago exhibition poster. Chagall’s pale Christ, draped in a tallit and surrounded by fleeing figures, candles and burning villages, is rendered in soft greys, gold and emerald against a hushed background. Printed in Perth on archival materials, the piece is offered as a stretched canvas, sleek black floating frame or classic framed print for thoughtful lounges, studies and gallery walls.
- All Australian orders for Art are Hand Made in Noosa, Australia (*International orders are printed overseas)
- We use 100% Cotton, textured canvas NOT the cheaper plastic looking, Poly-Cotton
- Free image manipulation such as removing red-eye, straightening horizons and lightening the image if needed
- Art is delivered ready to hang on the wall, straight to your door
- Carefully bubble wrapped and boxed to prevent damage in transit
- Free choice of 6 wrapping types
- Every canvas print is stretched by hand on a thick, 1.5” quality kiln-dried pine wood stretcher frame
- Protected with invisible spray UV laminate against fading in the harsh Australian climate, our art shouldn’t fade for up to 70 years!
The Canvas Prints Perth Difference
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Marc Chagall’s The White Crucifixion (1938) is a powerful and emotionally charged painting that encapsulates the artist’s deep connection to his Jewish heritage, as well as his response to the turbulent political climate of the time. The work was created during a period of intense anti-Semitic violence in Europe, particularly in the wake of the rise of Nazi power in Germany. Chagall, having witnessed the increasing persecution of Jews, sought to convey both the suffering of his people and the spiritual resilience that transcended it. The central figure of Christ on the cross is depicted with striking imagery that blends both Jewish and Christian iconography, symbolising the universal anguish of oppression and suffering.
The composition of The White Crucifixion is dramatic and symbolic. The figure of Christ is rendered in a stark white, which contrasts with the darker tones surrounding him, giving the scene a sense of both purity and haunting isolation. Chagall places the figure of Christ in the context of Jewish tradition, showing him as a Jewish martyr, marked by his Jewish identity through his features and the Star of David on his chest. This connection between the crucifixion and Jewish persecution offers a poignant commentary on the suffering of Jews during the rise of fascism and anti-Semitism in Europe.
In the background, Chagall incorporates several symbolic elements that evoke the turmoil and distress of the period. One of the most striking features is the depiction of Jewish villages in flames, a reference to the widespread destruction of Jewish communities during pogroms. Figures of Jewish men and women appear in the background, their expressions filled with grief and fear. These figures, along with the burning homes, emphasise the widespread suffering and loss experienced by the Jewish people at the time. Chagall’s decision to depict the crucifixion in this context suggests that Christ’s suffering parallels the anguish of the Jewish population.
The colour palette and the overall composition of The White Crucifixion are central to its emotional impact. The use of white for the central figure of Christ evokes a sense of purity, yet this purity is juxtaposed with the violence and destruction surrounding him. The vivid reds, oranges, and blacks that dominate the background intensify the emotional gravity of the scene, drawing the viewer’s attention to the destructive forces at play. In contrast to the harshness of the background, the soft and almost ethereal rendering of Christ on the cross serves as a poignant reminder of the divine, offering a sense of spiritual solace amidst the horror and despair that marks the rest of the composition.
