Interior Perfect Pitcher
From $30.00
Roy Lichtenstein’s Interior with Perfect Pitcher (1991) – the Pop artist’s late-career interior with a Ben-Day dotted lounge, sectional sofa, white pitcher and a red-haired nude reflected in a wall mirror, all drawn in his signature comic-strip style. Made in Perth as a modern art print on stretched canvas, floating frame, framed paper or rolled paper.
- All Australian orders for Art are Hand Made in Noosa, Australia (*International orders are printed overseas)
- We use 100% Cotton, textured canvas NOT the cheaper plastic looking, Poly-Cotton
- Free image manipulation such as removing red-eye, straightening horizons and lightening the image if needed
- Art is delivered ready to hang on the wall, straight to your door
- Carefully bubble wrapped and boxed to prevent damage in transit
- Free choice of 6 wrapping types
- Every canvas print is stretched by hand on a thick, 1.5” quality kiln-dried pine wood stretcher frame
- Protected with invisible spray UV laminate against fading in the harsh Australian climate, our art shouldn’t fade for up to 70 years!
The Canvas Prints Perth Difference
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Roy Lichtenstein’s “Interior Perfect Pitcher” is a notable example of his exploration of domestic imagery within the context of Pop Art. Created in 1964, the artwork draws on the everyday objects that populated American homes during the 20th century, transforming them into striking visual compositions. Lichtenstein’s technique often relied on the use of commercial and mass-produced images, which he recontextualised through his signature Ben-Day dot technique, creating a contrast between high art and popular culture. This particular piece, which depicts a pitcher in a domestic setting, encapsulates the artist’s ability to elevate mundane objects to iconic status.
The work features a simple, yet bold portrayal of a pitcher, placed in an interior space, with the surrounding environment rendered in Lichtenstein’s characteristic comic book-style aesthetic. Through the use of bright colours and defined outlines, he transforms the pitcher from a utilitarian object into a subject worthy of artistic consideration. The use of dramatic lighting and shading adds a sense of depth and three-dimensionality to the piece, even though it is essentially a two-dimensional representation. This technique highlights Lichtenstein’s mastery of mimicking the visual language of mass media while infusing it with an artistic sensibility.
“Interior Perfect Pitcher” also explores the concept of idealisation, a theme frequently addressed by Lichtenstein in his career. The object depicted is flawless, embodying an idealised version of domestic life. This approach reflects Lichtenstein’s broader commentary on consumerism, the media, and the construction of reality. By taking an everyday object and presenting it in a manner akin to a commercial advertisement, he critiques the ways in which the media shapes perceptions of the ordinary and the ideal.
The artwork’s composition also engages with the concept of abstraction. While the pitcher itself is easily recognisable, the background and surrounding space dissolve into patterns and forms that resist clear definition. This abstraction draws attention to the formal elements of the painting, such as line, shape, and colour, and allows viewers to appreciate the piece as much for its visual qualities as for its symbolic content. “Interior Perfect Pitcher” stands as a testament to Lichtenstein’s ability to merge the worlds of fine art and popular culture, making the ordinary both familiar and profoundly intriguing.
